supported by 4 fans who also own “Olde Gods - Tempel (7" edit)”
Christ on a pink, sun-drenched unicycle, John Talabot might just have blessed us with the single of the year here. "Voices" is a stunning bolt of Balearic bliss that replicates the feeling of breathing helium for 4 hours immediately after the object of your decade long unconfessed ardour admitted he'd/she'd been madly in love with you for even longer. Gerd Janson's conga version on the flip is lovely, but the original is a genuine heart 'n' jawbreaker. Magnificent. Nic Brown
supported by 4 fans who also own “Olde Gods - Tempel (7" edit)”
Few tracks get the party going like First Casualty. A staple in so many sets since way before its release, it gives great joy and euphoria, while being bold and dynamic. This record proved to be the start of something special for Nathan Micay. Props for the 24-bit quality and hats off to Whities for another gem. Edward
An instrumental queer space opera from Portland synthwave artist Amie Waters, who uses a universal mythos to illustrate a personal journey. Bandcamp New & Notable Jul 14, 2020
supported by 4 fans who also own “Olde Gods - Tempel (7" edit)”
One More Fluorescent Rush is one of my favorite tracks of the decade; it is beautiful yet dynamic, laced with sparkling synths and melodies that will make sure it is being played at high volumes for years to come. The music video is a masterpiece as well, no surprise since Whities always comes correct with the visuals. Avalon Emerson's remix of Four Tet's Teenage Birdsong is also a must buy, reminding us that her signature sound remains unique and unlike anything else out there. Edward